流行通信 Ryuko Tsushin vol.488 (Feburyary, 2004) C-MINE 版元保管環境、製作プロセス、紙の性質上、軽度のスレがある可能性がございます

版元保管環境、製作プロセス、紙の性質上、軽度のスレがある可能性がございます

in response to some of Hido’s early black and white photos

Each contribution offers insights into a practice or research project that in some way embodies the notion of working in fragments

Jochen Smuda and Martin Fussenegger (Ucon Acrobatics)

and Matthew Higgs (White Columns)

流行通信 Ryuko Tsushin vol.488 (Feburyary, 2004) C-MINE 版元保管環境、製作プロセス、紙の性質上、軽度のスレがある可能性がございます* 488 471200294942004820046 idea 317 (July, 2006) Kuzunari Hattori 100 pages Ryuko Tsushin was a magazine that, despite its primary focus on fashion, exerted a profound influence on the landscape of Japanese graphic design. Over the years, its art direction was helmed by distinguished figures such as Tadanori Yokoo, Ikko Tanaka, and Kazunari Hattori. Starting with its renewal issue, Vol. 471 (September 2002), Kazunari Hattori assumed the role of art