Framed Plate No.2; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833 sub-Rugs- Carpets & Textiles The delicately proportioned stone figural

The delicately proportioned stone figural garden birdbath formed as a robed male youth

Couple this with the fact that a Heriz

The first reads INF: CARYOPH

During trade Rippingille's were always direct with the way they chose to advertise and they continued to associate their product with the global appeal of the Empire and its peoples

This example was made on the cusp of this change and thus demonstrates a more modern approach

Framed Plate No.2; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833 sub-Rugs- Carpets & Textiles The delicately proportioned stone figuralOrigin: English Period: Early 19th Century Provenance: Unknown Date: c. 1833 Height: 13. 5 inches (in frame) Width: 20. 5 inches (in frame) London. M. A. Nattali. Folio. In landscape form, the framed and glazed single engraved plate leaf, numbered Pl. 3, taken from Anatomical Studies of the Bones and Muscles, for the use of Artists, the drawing by the late John Flaxman, Esq. R. A. Engraved by Henry Landseer depicts the muscles of the human form from