(1999) Verdi: Requiem (Live Recording, The Hague 1970) id_qobuz:http://www.deezer.com/album/132231 Mark Passion

Mark Passion

The works on this recording could be described as ‘theatrical music’ or could be given a title such as ‘Music for Theater’ – they are the setting for vivid life and activity

Astrig Siranossian has been a guest of several festivals

76 von Joseph Haydn sowie Werke von Turina für Claves aufgenommen

the compas (tempo) always has to be respected and the duende - a flamenco expression meaning 'inner dignity’ - has to be preserved

(1999) Verdi: Requiem (Live Recording, The Hague 1970) id_qobuz:http://www.deezer.com/album/132231 Mark PassionVerdis Requiem stands at the summit of nineteenth century liturgical music. First performed in a church in Milan in 1874, it is written in a musical language closer to the dramatic than to the devotional. Verdis intention was to express the emotional meaning and implications of the liturgical text, doing so with the musical tools that he mastered as a dramatist. Free to reveal something of his own attitude to death, he did not indulge in gentle