(1997) Claude Gervaise : Danceries (A quatre parties) Dominique Roggen « The Revenge » -

« The Revenge » - a choral ballad written for the Leeds Festival – remained an absolute favourite with British choirs for many years

Here the clashing miscellany of the previous movements congeals into an expressive monologue

she extended her discography with a recording of Liszt’s 12 Transcendental Studies under the Swiss label Claves Records

profound knowledge of composition

Various interpretations of the oboe concerto were compared in this broadcast

(1997) Claude Gervaise : Danceries (A quatre parties) Dominique Roggen « The Revenge » -Alongside Italy's prolific but also highly inspired, sometimes to the point of grandiloquence, a less rhetorical but more playful musical genre was developing in France: the air de danse. The melodic theme of each dance was commonly called timbre. These airs appeared in a variety of forms, depending on the audience for which they were intended: sometimes they were called harmonized danse de cour, sometimes dancerie (the term used by Claude Gervaise).