(2020) Music for Viola & Chamber Orchestra: Vaughan Williams, Martinu, Hindemith & Britten Bruno Philippe qu'à la fin du 19e

qu'à la fin du 19e siècle en Allemagne il y avait beaucoup de musiciens renommés qui valent encore aujourd'hui la peine d'être découverts

only five can rightly be looked upon as genuine works of the then conductor at the Court of Köthen (c

maltreated women

Le Quatuor Terpsycordes et Fabrizio Chiovetta

Virtuosity gives a composer wings with which to soar above the commonplace and the platitudinous

(2020) Music for Viola & Chamber Orchestra: Vaughan Williams, Martinu, Hindemith & Britten Bruno Philippe qu'à la fin du 19eThierry Scherz Prize Sommets Musicaux de Gstaad 2019 The wealth of music composed for the viola in the 20th century almost lets one forget the dearth of it in the 19th, which brought forth only two solo works of note: Hector Berliozs Harold in Italy, a concerto commissioned by Paganini that sidelines the viola so much he refused to play it; and Richard Strausss Don Quixote, in which the solo viola is relegated to the part of the Dons sidekick Sancho