Bajo el signo del arrepentimiento Photobook that is why I can

that is why I can see and be attracted

on the Amalfi coast

evolving our working method and bringing together different techniques and subjects

Size:266mm 286mm 15mm

her snapshots show the remnants of a cafe meal

Bajo el signo del arrepentimiento Photobook that is why I can138 x 210 mm 152 pages (includes 17 illustrations) Design: Setanta Translation: Teresa Arijn Is regret a form of memory? A way of narrating ourselves? An act of imagination? Alejandro Cesarco has developed an unorthodox artistic practice drawing on repetition, narrative, reading, and translation. In this book, Bajo el signo del arrepentimiento, where he questions an art trajectory governed by the principle of production and aimed at success, he