IRON RIBBON / Kazuhei Kimura [SIGNED] Nieves The utilisation of normative tools

The utilisation of normative tools and materiality is conveyed throughout the publication but there is an abstraction at play

Andrea Corsi

PURPLE has maintained a significant presence in Tokyo

to create forms that would be enriching to us and our communities and participants

カール・アンドレ（1935–2024）は1960年代後半のアメリカを中心に興隆したミニマル・アートを代表する彫刻家です。日本の美術館において初めての個展となる本展は、同一の形と大きさに加工した木、金属、石を床に直接置き、規則的に広がるアンドレの典型的な彫刻作品を大きな空間で展開します。アンドレは自身の作品が、それが置かれる周りの空間に作用するものであることを「場としての彫刻」という言葉で表しています。

IRON RIBBON / Kazuhei Kimura [SIGNED] Nieves The utilisation of normative toolsIRON RIBBON10 (: counterpoint)IRON RIBBON 10 10 Iron Ribbon by Kazuhei Kimura (b. 1993, Japanese) is composed of photographs taken over the past few years of his partner while in and around tradition rich hotels between various photographic productions. With an affinity for long established hotels, each destination was defined by the type of hotel, rather than its attractions, local cuisine and scenery. As a teenager, preceding any photographic