Next to Daisy’s, on top of the laundry zine where the material conditions of

where the material conditions of life become a locus of self-definition and agency

Russian Rust Belt incorporates Gignoux’s photographs of the Ural industrial region taken during a residency with the National Centre for Contemporary Art in Yekaterinburg in 2009

and without having to leave the country

8 colors screenprint

like the rest of the artist books from La Granja

Next to Daisy’s, on top of the laundry zine where the material conditions ofBehind a standardized, white door at Strmstragrnd, a magical world reveals itself. Stepping over the threshold, the visitor finds herself surrounded by a myriad of otherworldly creatures of various forms and sizes. In a corner of the room, a choir of small flowers sings a serenade, led by a cheeky duck and in the opposite end of the room, a thin limbed youngster far too tall for his supposed age looms. The adolescent appears to be sad; perhaps