(2004) Wien 1900: Modern Songs for Soprano & Ensemble Enrique García Asensio adapted from Hiroshi Ishii

adapted from Hiroshi Ishii

Robert Schumann has also long been regarded as having lost his inspiration towards the end

we only know that they were written between 1735 and 1744

This is a rather unusual form: few composers were tempted by a violin and piano partnership adjudicated by the orchestra

“If they remain relatively little known

(2004) Wien 1900: Modern Songs for Soprano & Ensemble Enrique García Asensio adapted from Hiroshi IshiiPost Romantic Songs for Mezzo soprano and Chamber Ensemble The most beautiful works for voice and large orchestra by Schnberg, Zemlinsky, Berg and Mahler within the four walls of your living room: its possible thanks to arrangements for voice and chamber ensembles, most of which arose through the catalyst of Schoenbergs Verein fr musikalische Privatauffhrungen (society for private music concerts, founded in 1918). This recording offers a wonderful