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the organic curves of hand-cut terracing producing a geometry that no draughtsman would design but that reads with total visual logic from above
The only things that remain are the objects above the fog line - a fishing boat
the variety so complete that the image functions as a colour study as much as a landscape photograph
Øfjord cuts deep into its interior
The image works as architectural abstraction - the palette is limited to grey tarmac
Blue Hour | Goblin Valley, Utah Size:50x70cm the organic curves of hand-cut[short_description] From directly above Goblin Valley at blue hour, the iron red sandstone formations that burn orange in daylight shift into something cooler and stranger deep blue shadows, purple rock faces, the residual warm red of the stone visible only where the last light still reaches. Open edition Aerial fine art by Tobias Hgg 210g natural white art paper, matte finish [ short_description] [product_description] Goblin Valley State Park in
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