(2011) Mendelssohn: Concerto for Violin and Piano, String Quintet No. 2 Edvard Grieg he firstly worked as a

he firstly worked as a violinist and then as a conductor

imparted to him a mastery of musical writing that Frank Martin never ceased to better through his own studies of the great masters

Rome and Paris

le public de la « Belle époque » était très friand d’œuvres de musique pour piano

The title "Concertino" indicates that Reissiger does not adhere to the classical concerto form

(2011) Mendelssohn: Concerto for Violin and Piano, String Quintet No. 2 Edvard Grieg he firstly worked as aThis is a rather unusual form: few composers were tempted by a violin and piano partnership adjudicated by the orchestra. And yet, when listening to Mendelssohns Concerto in D Minor, it is obvious that the potential of expression is huge. Even more so than in a concerto for a solo instrument, attentive listening is fundamental and requires chamber music skills from all the artists, conductor and orchestra included. Skills that both violinist Antje