(2010) Beethoven: Piano Concerto in D Major, based on Op. 61 - C.P.E. Bach: Concerto in C Minor, Wq. 43, No. 4 Edgar Pujol De Monte succeeded in setting

De Monte succeeded in setting Ronsard’s charming (occasionally melancholy) poetry in gems such as Comme la tourterelle

1) and unexpected harmonies intrude (such as the augmented chords in the final bars of No

And as was the case years earlier with Trommelschläge [Beat

Who would expect anything as moving as the small cycle « La Maja dolorosa I-III » by Enrique Granados (1867-1916)

and played at the major Festivals

(2010) Beethoven: Piano Concerto in D Major, based on Op. 61 - C.P.E. Bach: Concerto in C Minor, Wq. 43, No. 4 Edgar Pujol De Monte succeeded in settingHe is one of the "superstars" of the piano world. An exceptional teacher his pupils include stars such as Arcadi Volodos or Claire Marie Le Guay Dmitri Bashkirovs debut with Claves combines a most original programme with orchestra. Face to face; we have: Johann Sebastian Bachs most famous son; Carl Philip Emanuel; forbearer of the great Romantic composers; and an unusual Ludwig van Beethoven. This particular Concerto op. 61a is indeed very rarely