Rehearsing Hospitalities Beirut rage and love

rage and love

noise and experimental forms

Brodie Crellin

During the early 1970s Richard Mabey explored crumbling city docks and overgrown bomb-sites

Featuring Kenji Takimi

Rehearsing Hospitalities Beirut rage and loveUpon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, and if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the