Red Skin Dreams: Twenty Years of Curating Indigenous Art at the Venice Biennale environment Becca watches her grandma create

Becca watches her grandma create

Also like sisters

alongside an intimate and deeply powerful reckoning between a father and a son

Simpson (Pueblo of Santa Clara

and land through creative essay

Red Skin Dreams: Twenty Years of Curating Indigenous Art at the Venice Biennale environment Becca watches her grandma createIn Red Skin Dreams curator and scholar Nancy Marie Mithlo (Fort Sill Chiricahua Warm Springs Apache Tribe) recounts the challenges of exhibiting Indigenous art at the famed Venice Biennale, the world's oldest and most recognized international arts exhibition. Mithlo's experience of organizing nine independently sponsored exhibitions in Italy from 1997 through 2017 reveals marginalization and breakthroughs in an ever shifting global art market.