The Stutter of History Antonia zennaro the distinctive iconography of Saul

the distinctive iconography of Saul Leiter’s early black and white photographs stems from his profound response to the dynamic street life of New York City in the late 1940s and 50s

outside of Scotland

Freedman was initially sceptical of the police after documenting The Poor People’s Campaign (1968) that followed the assassination of Martin Luther King and after witnessing the police response to the Vietnam protests

recording heat emitted from visitors' bodies

— from the introduction by Peter Galassi The Staglieno cemetery near Genoa was created in the 19th century

The Stutter of History Antonia zennaro the distinctive iconography of SaulFirst edition first impression in new condition. This comprehensive catalogue accompanies a worldwide touring retrospective exhibition of Thomas Demands work, focussing on four important areas of his oeuvre. Thomas Demand has spent the last two and a half decades bringing together his talents as both a sculptor and a photographer to capture the feedback loop between the world we inhabit and the photographic documents of it which lie at the root of our